The past week should have been a time of unalloyed celebration for Beyoncé’s new album, “Renaissance.”

The reviews for the mega-star’s seventh solo album have been pretty ecstatic, with Vulture saying that her rich, exciting celebration of dance music and “explicit nods to Black queer creative traditions” have put her at the center of pop music.

But the album’s July 29 release has been dogged all week by a series of distracting “mini-scandals,” as the Daily Beast’s senior entertainment editor Kevin Fallon said. None of the scandals, on their own, is enough to undermine the triumph of Beyoncé’s music, but the conflicts and controversies, coming one after the other, have Fallon and other Beyoncé observers taken by surprise, given that she usually maintains her public image with such tight control.

“The militant nature of the micromanagement” around Beyoncé and another pop diva, Taylor Swift, is “notorious,” Fallon said.

“Their respective publicists are infamous in media circles for the wizard-like swiftness with which they appear to squash, deny, or clarify any unflattering story,” Fallon added, saying, “The most shocking part of the Beyoncé mini-scandals is that there were Beyoncé mini-scandals at all.”

The first controversy erupted when people noticed that Beyoncé twice used a word in her new song “Heated” that is considered offensive to people with disabilities, BuzzNews reported. Beyoncé faced particular outrage because Lizzo was called out two months ago for using the same word, “spaz,” in her new single, “Grrrls.”

It’s very hard to believe neither Beyoncé nor anyone in her team didn’t recognise the ableist slur when Lizzo very publicly made the same mistake a month ago (and graciously corrected it). Exhausting.

— Frances Ryan (@DrFrancesRyan) August 1, 2022

People with Cerebral Palsy and others blasted Lizzo for using the word, BuzzFeed News said, and to her …read more

Source:: East Bay – Entertainment


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